Filip Moortgat Thesis Statements

Two main types of seals were used in the Ancient Near East, the stamp seal and the cylinder seal. Stamp seals first appeared in ‘administrative’ contexts in central and northern Mesopotamia in the seventh millennium and were used exclusively until the fifth millennium. Cylinder seals appeared first around 3600 bc in southern Mesopotamia and south-western Iran (Middle Uruk Period). They gradually replaced stamp seals, becoming the tool of a rising class of bureaucrats in the early stages of state formation. Even though stamp seals were still produced in the third and second millennia, cylinder seals predominated. In the first millennium, stamp seals made a strong comeback and eventually replaced cylinder seals entirely.

Containers that were sealed: jars, boxes, baskets, sacks

Place names and sites[edit]

  • Eshnunna (T. Asmar),
  • Shaduppum (T. Harmal),
  • Mari (Tell Hariri),
  • Sippar-Yahrurum (T. Abu Habbah),
  • Sippar-Amnanum (T. ed-Der),
  • Babylon (near al-Hillah),
  • Kish (T. Uhaimir),
  • Nippur (T. Nuffar),
  • Larsa (T. Senkereh),
  • Isin (Ishan Bahriyat),
  • Kisurra (T. Abu Hatab)
  • Ur (T. el-Muqayyar)
  • Urkesh (Tell Mozan)
Period/StyleAreaIconographyShapes and sizesMaterials and ManufactureSealing practices/useSites
PPN BSyriaGeometric patternsStamp seals mostly conoid or pyramid shaped, commonly perforatedBaked clay, steatite, jadeiteImpressed multiple times on gypsum slabs; used as amuletsTell Buqras, Ras Shamra
Hassuna/SamarraSyria, Iraq, AmuqGeometric patterns, seldom human figuresStamp seals mostly conoid or pyramid shaped, tetrahedron form, looped, ridge handled, anthropomorphic, commonly perforatedBaked clay, steatite, jadeiteImpressed, multiple times on gypsum slabs, used as amuletsTell es-Sawwan, Tell Hassuna, Tell Cudeyde, Yarimtepe I, Ras Shamra
HalafSyria, Iraq, Amuq, TurkeyGeometric patterns, Saint Andrews Cross appears, seldom animal figuresStamp seals mostly conoid or pyramid shaped, double axe or cloverleaf seal, grooved and oval disk seals commonly perforatedBaked clay, steatite, jadeite, chlorite, serpentine, diorite, limestone, rock crystal, sandstoneContainer sealings (clay), sealings on gypsum slabs, used as amuletsTell Halaf, Chagar Bazar, Tell al-Kowm, Tell Sabi Abyad, Arpaciya, Tell Cudeyde, Tepe Gawra
UbaidSyria, Iraqfirst scenes appear, cultic, erotic, captives, animal and human figures, geometric patternsstamp seals: tabloid, lentoid and hemispheroid seals, seals with small marginal lug handles, amulet seals with a leaf or wedge, conoid or pyramid shaped, double axe or cloverleaf sealsBaked clay, steatite, jadeite, chlorite, serpentine, diorite, limestone, rock crystal, sandstoneContainer and door sealings; used as amuletsTepe Gawra, Oueili, Eridu, Arpaciya
Early UrukIraq, SyriaGeometric patterns, animal motifsCircular and rectangular stamp seals; average diameter c. 2.5-3.5 cm, sometimes up to 4 cmSoft limestones preferred; designs gouged and sometimes drilledContainer sealings (clay)Uruk, Tepe Gawra, Tell Brak, Susa
Middle UrukIraq, Iran, SyriaCylinder seals: "baggy style", animal rows, animal combat, daily life scenes, 'nude hero' mastering animals; stamp seals: animals antithetically arranged, geometric designsCylinder seals: tall, large diameter; stamp seals: circular, rectangular, zoomorphic, kidney shaped; average diameter c. 3-3.5 cmCylinder and stamp seals: soft bright limestones, gypsum. increasing use of the drill, deeply cut designs smoothened with a graverContainer sealings, door sealings, jar stoppers, sealed hollow clay balls; sometimes counter-sealing with stamp seals, sometimes multiple impressions of stamp sealsUruk, Tello,Nippur, Niniveh, Yorgan Tepe (Nuzi), Tell Brak, Tell Qraya, Tell Hamoukar, Tell Sheikh Hassan, Susa, Sharafabad, Choga Mish
Late UrukIraq, Iran, Syria, TurkeyCylinder seals: Geometric designs, files of animals, ladder-pattern, "master of the animals", monsters, intertwined snakes, pigtailed figures, architecture, heraldic scenes; activities, (captives & violence; hunting; herding; procession & cultic scenes; depictions of the 'priest king'); stamp seals: geometric designs, animalsCylinder seals: tall and large (two groups; one with heights ranging from 4–6 cm, diameters between 3–5 cm; the other with average height and diameter c. 2 cm); stamp seals: circular, zoomorphic, kidney shaped; average diameter 2.5 cmSoft, bright limestones, gypsum, steatite, rarely lapis lazuli, shell and ivory; designs cut and drilled; images rather plastic, naturalistic, deeply cut designs; sometimes axial perforation of the cylinders occurs; sometimes cylinder seals are provided with a loop, either cut in one piece with the cylinder or attached to itContainer sealings, door sealings, jar stoppers; sealings on tablets, hollow clay balls, bullae, labels, disks. Stamp seals sometimes impressed multiple times; Cylinder Seal rolled across the tablets and their edges first, then inscribed; when applied on hollow clay balls, sometimes the whole surface is covered with different sealingsUruk, Ur, Jemdet Nasr, Habuba Kabira-South, Tall Qannas, Jebel Aruda, Tall Sheikh Hassan, Tall Brak, Tall Hamoukar, Hacinebi, Hassek Höyük?, Arslantepe, Hassek Höyük, Susa, Choga Mish, Tepe Sharafabad, Godin Tepe, Tal-i Malyan
Jemdet NasrIraq, Iran, SyriaCylinder seals: daily life, production processes (weaving), pig-tailed figures, schematic designs (files of animals, e.g. spiders and scorpions, eye pattern, fish pattern)ExampleColored limestones and dark, hard stones preferred; steatite, serpentine, schist; extensive use of the drillContainer sealings; sealings on tablets, bullaeJemdet Nasr, Uruk, Ur,
Proto-ElamiteIranCylinder seals: ‘animals acting as humans’, Rearing animals, animal files, floral designs, monstersTall, large cylindersdarker stones preferred; limestones, steatite, chlorite, schist, bituminous stone & figures heavily proportioned, internal surfaces cut with a pointed graverContainer sealings, jar stoppers, door sealings; sealing of tablets, hollow clay balls, bullaeSusa, Tal-i Malyan, Tepe Giyan, Tepe Sialk, Godin Tepe, Tal-i Ghazir
Early Dynastic IExampleExampleExampleExampleExampleExample
Early Dynastic IIExampleExampleExampleExampleExampleExample
Early Dynastic IIIaExampleExampleExampleExampleExampleExample
Early Dynastic IIIbExampleExampleExampleExampleExampleExample
AkkadianIraq, SyriaContest scenes, mythological scenes (Sun God and Water God), worship scenes, banquet scenes, introduction scenes, procession scenesCylinder seals with concave sides (flared ends). Large (3–4 cm tall)Majority serpentine; also diorite, greenstone, jasper, lapis lazuli and rock crystalContainer sealings, (new package sealings), door sealings, bulla-labelsTell Brak, Nippur, Tell Asmar, Ur, Khafaje, Tello (Girsu), Tell Mozan
Ur IIIIraqPredominantly presentation scenes in many variations; some contest, procession and ritual scenesSmall cylinder seals rarely more than 2.8 cm tallMajority chlorite; also serpentine, steatite, limestone, hematite and lapis lazuliMajority tablet sealings; door sealings and container sealings still occurTello (Girsu), Nippur, Tell Asmar (Eshnunna), Ur, Lagash, Umma, Drehem
Isin-LarsaIraq, SyriaContest scenes, procession scenes. Presentation scenes; libation or animal offerings. New motifs include male or deity holding a mace, deity with scimitar, and nude female. Commonly mixture of elements from different scenes.Cylinder seals: straight. Average height: 2.5-3.0 cm; "burgul" seals with no iconography used alongside common cylinder seals at certain sites (Eshnunna, Kish, Marad, Nippur, Isin, Kisurra, and Ur).Dark hard stones preferred, mainly haematite; also Goethite, serpentine, jasper, agate, rock crystal, lapis lazuli (often reused seals and scrap material), soft limestones and chlorite, and terracotta. More seldom shell, gypsum, "greenstone", obsidian, carnelian, mudstone, and basalt. Drilling and filing with hand-held tools. Use of emery as abrasive. Tool traces are masked by further engraving, micro-chipping and polishing.Container sealings and door sealings. Also tablet and envelope sealings (letters, legal and administrative documents) and occasionally bullae; multiple impressions of the same or different sealsEshnunna, Shaduppum, Sippar-Yahrurum, Sippar-Amnanum, Kish, Nippur, Larsa, Isin, Kisurra, and Ur, Mari (T. Hariri)
Old BabylonianIraqContest scenes, presentation scenes, figure holding a mace, deity with scimitar, and nude female. Less introduction scenes. Commonly mixture of elements from different scenes. Two figures flanking the inscription on Late Old Babylonian seals.Cylinder seals: straight, average height: 2.5-3.0 cm; "burgul" seals not attested after the 18th century BC.Haematite mostly; magnetite around the 18th century; the rest same materials as Isin-Larsa. Introduction of bow-driven cutting wheels and drills during the mid-18th century BC; now unmasked drill holes, filing- and wheel marks.Container sealings and door sealings. Also tablet and envelope sealings (letters, legal and administrative documents); multiple impressions of the same or different sealsSippar-Yahrurum, Sippar-Amnanum, Babylon, Kish, Nippur, Larsa, Isin, Kisurra, and Ur
Old AssyrianIraq, Syria, AnatoliaIntroduction- and presentation scenes, chariots drawn by equids, bulls on offering tables, procession- and contest scenes, water god.Cylinder seals: straight. Average height: 1.8-2.8 cm.Haematite most common, also magnetite, lapis lazuli, limestone, jasper, and basalt. Execution individual, "flat, linear style"of carving similar to Isin-Larsa glyptic from the Diyala area. Figures with fork-like handsContainer sealings, door- and window sealings. Also tablet and envelope sealings (letters and legal documents), bullae and triangular tags; multiple impressions of the same or different sealsAssur (Qal’at Sherqat), Ninveh, Nuzi (Yorghantepe), Shubat-Enlil (T. Leilan), Kanesh (Kültepe), Acemhöyük, Alişar, and Boğazköy.
Mittani Common StyleIraq, Syria, Cyprus, Levant, Greece, Iran, Anatolia, Georgia, Armenia, the Persian GulfSimple ritual scenes where figures flank a tree, rows of animals and humans.Cylinder seals: straight; height varies.Compositional, sintered quartz (frit) and faience. A few of chert and hematiteMost seals stem from burials.Malikh, Hasanlu, Beth Shan, Byblos, Kamid el-Loz, Mohammed 'Arab, Nuzi, Hazor, Megiddo, Alalakh, Tell Kazel, Tell Al-hamidiya, Dhekelia, Tell Billa, Assur, Lchashen, Sapar-Kharaba, Tell Brak
Mittani Elaborate StyleIraq, Syria, Greece, LevantRitual scenes, drinking and offering scenes, animal rows. Some inscribedCylinder sealsHematite, chalcedony, carnelian, agate, chert, limestone; colourful. Use of the drill on hard stonesTablet and envelope impressionsNuzi, Alalakh, Tell Brak
First Kassite StyleIraq, IranTwo figure ritual scenes. Bordered crosses, rosettes, animals; gazelles, frogs, birds, dogs and fish. Long inscriptions.Small and uniform sizeHard stones; chalcedony, agateExampleNuzi, Nippur, Nimrud
Pseudo-Kassite StyleIraq, Iran, The Persian GulfMore linear than First Kassite. Inscriptions not length of whole seal and without real meaning (only for show). Double lines and hatched bands common. Monsters and birds.ExampleSoft composite materials; sintered quartz (frit) and glass.ExampleNippur, Choza Zanbil, Susa, Subeidi, Failaka
Second Kassite StyleIraqChthonic god cycle including natural and cosmic elements. Sacred tree flanked by living creatures; human or animalCylinder sealsHard stones (colourful); chalcedony, agate, lapis lazuli. Glass. With golden capsTablet sealingsThebes, Nippur, Ur, Subeidi, Assur, Aqar Quf
Third Kassite Style/Isin II StyleIraqAnimals or monster scenes, a few involving humans. marru. Linear tendencyCylinder sealsSoft stones and quartz. Gold caps flourish. Drill used less than in Second Kassite seals.Tablet and envelope sealingsUr, Uruk, Nippur, Abu Hatab, Luristan
Middle AssyrianIraq, SyriaContest scenes, animal scenes (horse and winged bull appear), chariot scenes, hunting with archer, temples, antithetically arranged pairs of figures including the winged "griffin-demon", "sacred-tree"; sometimes inscription included; also schematic, linear depictionsStraight cylinder seals; average diameter c. 1.6 cm, average height ranging between 3.2-4.7 cmAgate, limestone, quartz, jasper, carnelian, lapis-lazuli, talc, frit; either cutting of high quality or - for the cut-style - cursory engraving with extensive use of the cutting wheelTablet and envelope sealings; container and door sealingsAssur, Tell Sheikh Hamad (Dur-Katlimmu), Tell Mohammed Arab, Tell Fakhariya, Tell Sabi Abyad, Tell Billa, Tell al-Rimah
Neo-AssyrianIraq, SyriaRoyal worship, king with bow and cup, devotional scenes, banquet scenes, contest scenes, ritual scenes, animal scenes, hunting scenes. Figures flanking a tree. The "siege"Cylinder and stamp sealsManufactured in 4 styles; linear (soft materials; steatite, serpentine and sintered quartz (frit)), modeled (chalcedony), cut (hard and soft materials), drilled (chalcedony, agate)Container sealings. Jar stoppers. Door sealings. Bullae. Tablet sealingsNimrud, Nineve, Assur, Tell Sheikh Hamad (Dur-Katlimmu)


General bibliography:

Amiet, P. 1980 La Glyptique mésopotamienne archaique, Paris.

Collon, D. 2005 (2nd revised edition). First impressions: Cylinder Seals in the Ancient Near East. London: British Museum.

Collon, Dominique 2007. Babylonian Seals. In: Leick, Gwendolyn (ed), The Babylonian World: 95–123. New York & London: Routledge.

Gibson, McG and R.D. Biggs (eds.) 1977. Seals and Sealing in the Ancient Near East. Bibliotheca Mesopotamica 6, Malibu.

Gibson, McG. and R.D. Biggs (eds.) 1987. The Organization of Power. Aspects of Bureaucracy in the Ancient Near East. Studies in Ancient Oriental Civilizations 46. Chicago: Oriental Institute.

Gorelick, L. and A. J. Gwinnett 1990, The Ancient near Eastern Cylinder Seal as Social Emblem and Status Symbol, Journal of Near Eastern Studies 49 (1): 45-56.

Keel, O. and Uehlinger, C. (eds) 1990. Altorientalische Miniaturkunst. Die ältesten visuellen Massenkommunikationsmittel. Mainz, Gabern, pp. 27–46.

Pittman, H. 1994 The Glazed Steatite Glyptic Style. The Structure and Function of an Image System in the Administration of Protoliterate Mesopotamia, BBVO 16, Berlin.

Pittman, Holly 2013. Seals and Sealings in the Sumerian World. In: Crawford, Harriet (ed), The Sumerian World. New York & London: Routledge.

Porada, E. 1947. Mesopotamian art in cylinder seals of the Pierpont Morgan Library. Pierpont Morgan Library.

Porada, E., Amiet, P., Özgüç, N., & Boardman, J. (eds.) 1980. Ancient art in seals: essays. Princeton, N.J.: University Press.

Radner, Karen 2009. Siegelpraxis, A. Philologisch, RlA: 466–469.

Otto, Adelheid 2009. Siegelpraxis, B. Archäologisch. In RlA: 469–474.

Teissier, B. 1984. Ancient Near Eastern Cylinder Seals from the Marcopoli Collection, Berkeley.

Manufacture and materials

Moorey, R. 1994. Ancient Mesopotamian Materials and Industries, esp. pp. 74–77 (on materials for seals) and pp. 103–106 (on seal cutting)

Collon, D. 2005. First Impressions, Cylinder Seals in the Ancient Near East. (2nd revised edition), pp. 100–104.

Sax, M., and Meeks, N. D., 1994. The introduction of wheel-cutting as a technique for engraving cylinder seals: its distinction from filing, Iraq, 56, 153-66.

Sax, M., D. Collon and M.N. Leese 1993. The availability of raw materials for Near Eastern cylinder seals during the Akkadian, post Akkadian and Ur III periods. Iraq 55: 77-90.

Sax, M. N. D. Meeks and D. Collon 2000. The Early Development of the Lapidary Engraving Wheel in Mesopotamia. Iraq 62: 157-176.

Sax, M., J. McNabb, N.D. Meeks 1998, Methods of Engraving Mesopotamian Cylinder Seals: Experimental Confirmation, Archaeometry 40: 1-21.

Gorelick, L., and Gwinnett. A. J., 1992, Minoan versus Mesopotamian seals: comparative methods of manufacture, Iraq, 54: 51-64.

Gwinnett, A. J. and Gorelick, L. 1987. The Change from Stone Drills to Copper Drills in Mesopotamia. Expedition 29 (3): 15-24.

Heimpel, W., Gorelick, L., and Gwinnett, A. J., 1988, Philological and archaeological evidence for the use of emery in the Bronze Age Near East, Journal of Cuneiform Studies 40 (2): 195-210.

Prehistoric seals

von Wickede 1990, Prähistorische Stempelsiegel in Vorderasien. MVAS 6: p. 10-21 (form), 21-28 (design)

Sealing practice:

Duistermaat, K. 2010. Administration in Neolithic Societies? The First Use of Seals in Syria and Some Considerations on Seal Owners, Seal Use and Private Property. In Müller (ed.) Die Bedeutung Der Minoischen Und Mykenischen Glyptik: VI. Internationales Siegel-Symposium, Marburg, 9-12 Oktober 2008. (CMS Beiheft 8) Mainz am Rhein: Verlag Philipp von Zabern: 167-182.

von Wickede 1990, Prähistorische Stempelsiegel in Vorderasien. MVAS 6

Duistermaat, K. 2013.

Rothman, Mitchell S. 1994. Sealings as a Control Mechanism in Prehistory: Tepe Gawra XI, X and VIII. In: Gil Stein & Mitchell S. Rothman (eds), Chiefdoms and Early States in the Near East: The Organizational dynamics of complexity: 103–120. Madison: Prehistory Press.

Uruk seals

Brandes, M. A. 1979, Siegelabrollungen aus den archaischen Bauschichten in Uruk-Warka

Amiet, P. 1980 P. Amiet, Glyptique mesoptaminne archaique. (Paris 1980)

R. M. Boehmer 1999, Uruk. Früheste Siegelabrollungen. AUWE 24. (Mainz 1999)

B. Feller 2013, Die Anfänge der Bürokratie. Funktion und Einsatz von Siegeln im 4. und 3. Jahrtausend v. Chr., in Uruk. 5000 Jahre Megacity. Begleitband zur Ausstellung "Uruk – 5000 Jahre Megacity", 159-165.

M. Frangipane 2007 (Ed.), Arslantepe Cretulae. An Early Centralized Administrative System Before Writing. (Rome 2007)

R. J. Matthews 2002, Secrets of the Dark Mound. (Warminster 2002)

H. Pittman 2001, Mesopotamian Intraregional Relations Reflected through Glyptic Evidence in the late Chalcolithic 1-5 Periods, in M. Rothman (Ed.), Uruk Mesopotamia & its Neighbors. Cross-cultural Interactions in the Era of State Formation, 403-443.

M. T. Rigillo 1991, Sealing Systems on Uruk Doors, BaM 22 (1991), 175-222

Early Dynastic seals


Pittmann, Holly 1994, The Glazed Steatite Glyptic Style: the Structure and Function of an Image System in the Administration of Protoliterate Mesopotamia. Berlin

Karg, N. 1984, Untersuchungen zur älteren frühdynastischen Glyptik Babyloniens. Aspekte regionaler Entwicklungen in der ersten Hälfte des 3. Jahrtausends. BaF 8. Mainz

Pittman, Holly 2013. Seals and Sealings in the Sumerian World. In: Crawford, Harriet (ed), The Sumerian World. New York & London: Routledge.

Sealing practice:

Jans G. & Bretschneider J. 2011 (2012), Seals and Sealings of Tell Beydar/Nabada (Seasons 1995-2001). Subartu XXVII, Turnhout Brepols.

H. P. Martin and R. J. Matthews 1993, "Seals and Sealings," in A. Green, ed., The 6G Ash-Tip and Its Contents: Cultic and Administrative Discard from the Temple? (London), pp. 23–81

R. J. Matthews 1991, "Fragments of Officialdom from Fara," Iraq 53: 1–16

Charvát, Petr 1988. Archaeology and Social History: The Susa sealings, ca. 4000–2340 BC, Paléorient 14(1): 57–63

Charvát, Petr 2005. The Backs of Some Sealings from Nineveh 5. Iraq 67: 391–397.

Zettler, R. 2007, Clay Sealings from the Early Dynastic I levels of the Inanna Temple at Nippur: a preliminary analysis, in Roth, M. W. Farber, and M. Stolper (eds), Studies presented to R. Biggs: 343–362.


Glyptic art:

Rakic, Yelena 2003. The Contest Scene in Akkadian Glyptic: A Study of its imagery and function within the Akkadian empire. PhD thesis, University of Pennsylvania.

Collon, D. Catalogue of the Western Asiatic Seals in the British Museum: Cylinder Seals, vol 2 Akkadian and Ur III.

Boehmer, Rainer Michael 1965. Die Entwicklung der Glyptik während der Akkad-Zeit. (Untersuchungen zur Assyriologie und Vorderasiatischen Archäologie 4) Berlin: De Gruyter.

Amiet, P.1980. The Mythological Repertory in Cylinder Seals of the Agade Period (c. 2335-2155 B.C.). In Porada (ed.), pp. 35–60.

Barrelet, M.T. 1970. Etude de glyptique akkadienne: l'imagination figurative et le cycle d'Ea. Orientalia 39: 213-251.

Sealing practice:

Rakic, Yelena 2003. The Contest Scene in Akkadian Glyptic: A Study of its imagery and function within the Akkadian empire. PhD thesis, University of Pennsylvania. esp. Ch. 6;289-354

Matthews, D. Early Glyptic of Tell Brak, 176-183.


Glyptic art:

Collon, D. Catalogue of the Western Asiatic Seals in the British Museum: Cylinder Seals, vol 2 Akkadian and Ur III

Winter, I. 1986 "The king and the cup: iconography of the royal presentation scene on Ur III seals," inInsights through Images (ed. by M Kelly-Buccellati), pp. 253 – 268. Malibu: Undena Publications. Bibliotheca Mesopotamica 21.

Winter, I. 1991 (1977) "Legitimation of authority through image and legend: seals belonging to officials in the administrative bureaucracy of the Ur III state," in The Organization of Power (ed. by McGuire Gibson and R. Biggs), pp. 1 – 33. Chicago: Oriental Institute. Studies in Ancient Oriental Civilization 46.

Suter 2010 (representation of the king)

Mayr, R. H. 2002a. The depiction of ordinary men and women on the seals of the Ur III kingdom. In Parpola, S. and Whiting, R. M., editors, Sex and Gender in the Ancient Near East: Proceedings of the 47th Rencontre Assyriologique Internationale, Helsinki, July 2–6, 2001, pages 359–366. Neo-Assyrian Text Corpus Project, Helsinki.

Sealing Ur III:

Zettler 1987 "Sealings as artifacts of institutional administration in ancient Mesopotamia," Journal of Cuneiform Studies 39: 197 - 240.

Reichel 2001, Reichel, Clemens 2001. Seals and Sealings at Tell Asmar – A New look at an Ur III to Isin/Larsa Palace. In: William Hallo & Irene J. Winter (eds.): 101–131.

Buccellati, G. / M. Kelly-Buccellati, The Royal Storehouse of Urkesh: The Glyptic Evidence from the Southwestern Wing. AfO 42/43, 1995/96, 1-32. Sealing documents:

Hattori, Atsuko 2001. Sealing Practices of Ur III Nippur. In: William Hallo & Irene J. Winter (eds): 71–99.

Hattori, Atsuko 2002. Texts and Impressions: A Holistic approach to Ur III cuneiform tablets from the university of Pennsylvania expeditions to Nippur (Iraq). PhD thesis, University of Pennsylvania.

Laurito, R. in D’Agostino, Franco, Francesco Pomponio & Romina Laurito 2004. Neo-Sumerian Texts from Ur in the British Museum: Epigraphical and archaeological catalogue of an unpublished corpus of texts and fragments. (Nisaba 5) Messina: Di.Sc.A.M.

Tsouparopoulou, Christina 2015. The Ur III seals impressed on documents from Puzrish-Dagan (Drehem), HSAO 16, Heidelberg

Fischer, Claudia 1992. Siegelabrollungen im British Museum auf neusumerischen Tontafeln aus der Provinz Lagash – Untersuchungen zu den Tierkampfszenen. Zeitschrift für Assyriologie 82: 60–91.

Fischer, Claudia 1997. Siegelabrollungen im British Museum auf Ur-III-zeitlichen Texten aus der Provinz Lagash: Untersuchung zu den Verehrungsszenen. Baghdader Mitteilungen 28: 97–183.

Reichel, Clemens 2003. Appendix: Sealing practice. In: Markus Hilgert, Drehem Administrative Documents from the Reign of Amar-Suena (Oriental Institute Publications 121): 603–24. Chicago: The Oriental Institute.

Isin-Larsa / Old Babylonian

Blocher, Felix 2001. Sealing Tablets in Early Second Millennium Babylonia - Wealth and Significance of the Yale Babylonian Collection, in: William W. Hallo (Hg.), Seals and Seal Impressions, Comptes rendus de la XLV Rencontre Assyriologique Internationale (Boston/New Haven 5–10 July 1998), Vol. 3, New Haven/Boston, 133-148.

Collon, D. 2007. Babylonian Seals in Leick, G. (ed) The Babylonian World: 95-123 (esp. pp. 95–107)

Goddeeris, A. 2012. Sealing in Old Babylonian Nippur, in Fs Van Lerberghe pp. 215–234.

Gailani-Werr, L. al-, Chronological Table of Old Babyblonian Seal Impressions. Bulletin of the Institute of Archaeology, University of London 17, 1980, 33-84

Gailani-Werr, L. al-, Studies in the Chronology and Regional Style of Old Babylonian Cylinder Seals. BiMes. 23, 1988

Klengel-Brandt, E., Siegelabrollungen auf altbabylonischen Tontafeln aus Babylon. AoF 10, 1983, 65-106

Blocher, F., Siegelabrollungen auf frühaltbabylonischen Tontafeln in der Yale Babylonian Collection, ein Katalog. MVS 9. München 1992

Blocher, F., Siegelabrollungen auf frühaltbabylonischen Tontafeln im British Museum, ein Katalog. MVS 10. München 1992

Mitanni and Kassite

Salje, Beate 1990. Der "Common Style" der Mitanni-Glyptik und die Glyptik der Levante und Zyperns in der späten Bronzezeit. Baghdader Forschungen, Band 11. Mainz: Zabern.

Porada, E., Seal Impressions from Nuzi. AASOR 24. New Haven 1947

Stein, D.L., A Reapraisal of the "Saushtatar Letter" from Nuzi. ZA 79, 1989, 36-60

Stein, D.L., Seal Impressions from Arrapha and Nuzi in the Yale Babylonian Collection, in: D.I. Owen - M.A. Morrison (Hrsg.), Studies on the Civilization and Culture of Nuzi and the Hurrians Vol. 2. Winona Lake 1987, 225-320

Stein, D.L., The Seal Impressions, in: G. Wilhelm (Hrsg.), Das Archiv des Shilwa-Teshup, Heft 8 und 9. Wiesbaden 1993

Beran, T., Die babylonische Glyptik der Kassitenzeit. AfO, 1957–58, 255-278

Matthews, D. M. Principles of Composition in Near Eastern Glyptic of the Later Second Millennium B.C. (1990)

Matthews, D.M., The Kassite Glyptic of Nippur. OBO 116. Freiburg (Schweiz) 1992

Wittmann, B., Babylonische Rollsiegel des 11.-7. Jahrhunderts v. Chr. BaM 23, 1992, 169 ff. (Nachtrag: Wittmann-von Pilgrim, B. in: BaM 25, 1994, 597 ff.)

Middle Assyrian Moortgat, A., Assyrische Glyptik des 12. Jahrhunderts. ZA NF 14, 1944, 24-44

Moortgat, A., Assyrische Glyptik des 13. Jahrhunderts. ZA NF 13, 1942, 50-88

Beran, T., Assyrische Glyptik des 14. Jahrhunderts. ZA NF 18, 1957, 141-215

Kühne, Hartmut 1995. Der mittelassyrische, Cut Style', in ZA 85: 277-301

Kühne, H. / W. Röllig, Das Siegel des Königs Salmanasser I. von Assyrien, in: Emre, K. / M. Mellink / B. Hrouda / N. Özgüç (Hrsg.), Anatolia and the Ancient Near East: Studies in Honor of Tahsin Özgüç. Ankara 1989, 295-299

Sealing practices:

Röllig, W. 1980. Notizen zur Praxis der Siegelung in mittelassyrischer Zeit. Welt des Orients 11: 111–116.

Postgate, Nicholas J. 1986. Middle Assyrian Tablets: The Instruments of bureaucracy. AoF 13: 10–39.

Postgate, Nicholas J. 2003. Documents in Government under the Middle Assyrian Kingdom. In: M. Brosius (ed.): 124–138.

Postgate, Nicholas J. 2014. Bronze Age Bureaucracy: Writing and the practice of government in Assyria. NY: CUP.

Feller, Barbara forthcoming. Siegel im Kontext der Gesellschaft. Die Siegelabrollungen auf den mittelassyrischen Tontafeln aus dem Vorderasiatischen Museum Berlin.

Джабба, мне не до шуток. - Ну хорошо, - сказал он, приподнимаясь на локтях.  - Может быть, у них закоротило генератор. Как только освобожусь, загляну в шифровалку и… - А что с аварийным питанием. Если закоротило генератор, почему оно не включилось.

0 thoughts on “Filip Moortgat Thesis Statements”


Leave a Comment

Your email address will not be published. Required fields are marked *