Leni Essays

No One Here Gets Out Alive: Federico Fellini's Toby Dammit

This is an essay on Federico Fellini's short film from 1968 that sits between the longer feature films - Juliet of the Spirits and Satyricon - that have become iconic within the Italian master's filmography. The film was made in a period of transition where Fellini began to have enormous doubts about the possibility of narrative, conventional or nor, to describe the contemporary world. These doubts would be incorporated into the film itself in a variety of ways, as Fellini, with great humor, mimics an encyclopedic array of narrative formulas and cinematic techniques. Toby Dammit is the most compelling observation of what Guy Debord, in the same period, called "The Society of the Spectacle" - the film eviscerates that social matrix and points the way to reasons why we needed to construct such a society in the first place. In many respects it goes beyond Debord's own films, suggesting a profoundly ambivalent death drive - linked to a narcissistic romanticism - that is out of control. With typical humor and fantastical pastiche Fellini goes into the deep end of spectacle, via Edgar Allan Poe, in one of the greatest short films ever made.

Leni Riefenstahl Essay

Leni Riefenstahl

Leni Riefenstahl, a dazzling individual that has lived through and experienced many things that no other person may have. She has lived through the World War One, Great Depression, Nazi Germany, World War Two, the Cold war and September 11. However, what fascinates historians and people all over was her involvement and relationship with Hitler and the Nazis party. This report will look over Leni’s early to role as director of her Infamous films Triumph of the Will and Olympia and her involvement and view of Nazism and Hitler.
Helene Bertha Amelie (Leni) was born on 22 August 1902 in Berlin. Leni lived in a comfortable middle-class family. Since a young age Leni has had a passion for dance. Leni’s dancing career began in the 1920s, during the Weimar republic that saw the birth of a culturally and politically diverse nation. Max Reinhardt, a prominent producer hired Leni as a dancer. Leni soon extended her talents to choreography. Her dancing career suffered due to a continuos knee injuries and one in particular in 1925, when she performed Prague. However, her life was going to under go a dramatic change that would lead her to acting and finally directing. Suddenly the image of a man climbing a jagged mountain came into focus. The colourful poster was promoting a movie with predictive name “Mountain of Destiny”. Leni instantly became entranced with the movie and soon went off to meet Arnold Fanck who would open the world of cinema to Leni. She stared in six of his movies, such as The Holy Mountain, The Big Jump and the White Hell of Pitz Palu, where she was portrayed as the hero and where her physical proficiency was displayed (which has always been a male domain). Franck had become her mentor and it been his opening scene of the ‘The magic mountain’ that Hitler admired.
In 1932 the political situation in Germany was intensifying. The Republic was crumbling and the great depression was taking its toll on the German people. Leni was not greatly affected by the depression and saw little of the violence that was occurring. In Berlin she was persuaded by friends to attend a political rally at Sportsplatz where Hitler would give an address. Instantly Leni had become spellbound by Hitler as he did upon thousands-‘He radiated something very powerful,’ she later observed, ‘something which had a kind of hypotonic effect.’ Inspired by Hitler, Leni wrote to Hitler, who soon replied, as Hitler was an admirer of work. Hitler and Leni met in late 1932 on the Baltic coast. Hitler praised her and her work, which would have left no doubt that; she was flattered and captivated by Hitler. Hitler had told her that once the Nazis came into power that she would make movies for them. It was a start of friendship between the two.
Leni was fascinated with film and film techniques. So, in 1932 she produced, directed, edited and starred in The Blue Light. A fairytale story about a woman named Junta. Leni experimented greatly with colour filters, light...

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Film Analysis of the documentary "Triumph of the Will" by Leni Riefenstahl

629 words - 3 pages All through the documentary it seemed as if the whole movie revolved around Hitler and the ever controversial NAZI army he brought to power during World War 1. It cast Hitler and the NAZI army in a very "different" light as portrayed by other documentary's such as "Into the Arms of Strangers" by

Was Leni Riefenstahl's significant impact on history inspired by an ideal or self-interest?

1372 words - 5 pages Leni Riefenstahl- actress and dancer or master of propaganda and Nazi sympathiser? If Leni herself is to be believed she is a talent seduced with no political leanings, but how credible is she? The film's Leni made under the Nazi Regime are undoubtedly supportive of the Nazi ideology even if Leni's view that she acted out of self-interest in acting and dancing is to be believed. Although primary sources, Leni's claims after the war that she...

Leni Riefenstahl’s Triumph of the Will Propaganda

2170 words - 9 pages Leni Riefenstahl’s Triumph of the Will Propaganda I am going to discuss whether Leni Riefenstahl’s Triumph of the Will (1934) was propaganda, or a representational recording of an event. Riefenstahl was considered “an intricate part of the Third Reich's propaganda machine[1]”, yet she claimed that: "If you see this film again today you ascertain that it doesn't contain a single reconstructed scene. Everything in it is...

Describe Leni Riefenstahl's role in German culture up to 1933.

3255 words - 13 pages Describe Leni Riefenstahl's role in German culture up to 1933.Helene (Leni) Bertha Amalie Riefenstahl was born on 22 August 1902 in Berlin. Her family had a relatively privileged economic status ensuring that they were protected from much of the economic, social, and political unrest which, consequently, was one component that allowed Leni to indulge in her career as a dancer. As a child, Leni loved dancing, gymnastics...

Politics and the Modern Olympics

2415 words - 10 pages At first thought, it may be difficult to understand any possible connection between sports and politics. The New International Webster's Dictionary of the English Language defines politics as 'the science of government', and sports as 'a particular game or physical activity pursued for diversion'. On the surface the two concepts have very little in common, yet their connection can be traced to antiquity and the first organized sporting events. ...

The Characterization of Hitler in "Triumph of The Will"

1562 words - 6 pages ”Leni Riefenstahl’s “Triumph of the Will” is a significant piece of work from the perspective of the whole National Socialist cinema. Not only is it the most famous of the films made during the period of the Third Reich, but it is also the only Nazi film made directly about Hitler. Hitler had commissioned the film to portray him the way he wanted to...

Political Advertising in Nazi Germany & The Analysis of Triumph des Willens (Triumph of the Will)

990 words - 4 pages Advertising has been one of the essentials of politics for decades. Throughout history, politicians have held a vital position in the society. However that does not prevent them from acting as salesmen when it comes to the elections and their popularity among society, or in other words “potential voters”. As Ted Brader claims in his article Striking a Responsive Chord: How Political Ads Moticate and Persuade Voters by Appealing to Emotions...

How did Hitler use propaganda to gain support?

973 words - 4 pages "Propaganda attempts to force a doctrine on the whole people... Propaganda works on the general public from the standpoint of an idea and makes them ripe for the victory of this idea."--Adolf Hitler. These words showed Hitler's awareness of the importance of propaganda--a means that helped him to gain support from the people. The fact that Hitler became chancellor in 1933 gave the Nazis more freedom and opportunities to use propaganda to...

The Effect of the 1936 Berlin Olympics on the Nazi's Persecution of the Jews and the Road to World War 2

1808 words - 7 pages A. Plan of Investigation This investigation assesses the effect of the 1936 Berlin Olympics on the Nazi’s persecution of the Jews and the road to World War II. Hitler used the 1936 Olympics as a major source of propaganda, and wanted to show the world that Germany was a successful country with a rising economy. This investigation will look at how he used the Games to further his cause and how successful he was in achieving these goals. ...

Nazi Film Propaganda

958 words - 4 pages Propaganda is the art form of persuasion which means that it takes aim at people’ behavior, thoughts and provide them new information. World leaders make propaganda now and they did before. One of the countries which propagandized their ideas well is Nazi Germany. The thing that makes them special is Nazi Germany had a “Ministry of Propaganda” which was led by Paul Joseph Goebbels. The mission of this ministry was “to censor all opposition to...

Audience's Emotional Response in The Triumph Of The Will, Cabaret, Schindler’s List and The Lion King

1974 words - 8 pages Audience's Emotional Response in The Triumph Of The Will, Cabaret, Schindler’s List and The Lion King Why are people still so fascinated and emotionally enthralled by the Nazis? I think it is because of the “horror factor” which is similar to scary films. You ask yourself...

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